Archive

Documentation of work made during past residencies.

2026

Close-up detail of dark and white ceramic pieces set into the wire mesh form

Features of a larger whole. Moa Adrienne Vrijman, Community of Oppdal, 2026

A hand placing a clay piece onto a candle holder during a sculpture workshop, surrounded by moss, stones, and small ceramic objects

Features of a larger whole. Moa Adrienne Vrijman, Community of Oppdal, 2026

The finished sculpture hanging from the ceiling of the power plant, a wire mesh form covered in white and dark ceramic pieces, lit blue-violet

Features of a larger whole. Moa Adrienne Vrijman, Community of Oppdal, 2026

Detail of the hanging sculpture, ceramic pieces set into wire mesh against the concrete wall

Features of a larger whole. Moa Adrienne Vrijman, Community of Oppdal, 2026

Close-up detail of the sculpture from below, ceramic pieces catching light against the dark interior

Features of a larger whole. Moa Adrienne Vrijman, Community of Oppdal, 2026

The sculpture seen through an open doorway from a stairwell landing

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

Close-up of a stone resting against a leaning wooden plank, backlit by a doorway

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

A wooden plank leaning at an angle, propped up by a curved black metal rod balancing a stone at its far end, in a sunlit room with red curtains

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

A tall wooden log column with a metal rod through its center, holding one stone wedged partway up and another balanced on top

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

Close-up of the stone balanced on top of the metal rod, the room blurred behind it

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

Overhead view of a stone being fitted into a carved notch in a wooden beam, wood chips scattered around it and a chisel resting alongside

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

The leaning wooden plank and stone sculpture seen through a window, daylight coming through

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

Wide interior view of the leaning plank and stone sculpture, a wired web of nails across the ceiling and walls, a chair by the window

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

Wide view of the room: a leaning wooden plank and stone sculpture, a wired chandelier-like web of nails strung across the ceiling and walls, a chair by the window

Leaning, longing. Moa Vrijman, Ziggy Kruisselbrink, 2026

The draped structure lit from within in deep red, alone in the dark machine hall, smoke hanging in the air above the wooden floor

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

Looking up at blue-lit draped fabric sails meeting at a sharp angle in a dark corner

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A DJ silhouetted at the decks in blue light, a crowd gathered by glowing windows behind them

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

Purple haze with two draped white fabric forms on either side and a lit mixing desk glowing red and yellow in the center

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A pale blue room with a curved ceiling and a lit window, silhouettes of people gathered on the floor below

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A DJ booth lit blue, draped white fabric beside the decks

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

The same DJ booth lit warm orange, draped fabric glowing beside the decks

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A grainy night shot with two glowing lights, a vertical light streak, and a draped structure visible in the distance

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A purple-lit draped white fabric structure on the floor, seen from a different angle

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

Looking up at blue-lit draped fabric sails from a second angle

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A person silhouetted beneath a bright stage light in a red-lit haze

Maskinhal scenography. Ziggy Kruisselbrink, Miron Bartosik, 2026

A concrete room strung with wires of hanging nails and screws in a zigzag pattern, an armchair and a sunlit window in the background

The Nailing Room. Hedvig Lou Fogelström, 2026

The same room seen from another angle, wires of hanging nails crossing overhead and along the walls, loose nails scattered near the floor

The Nailing Room. Hedvig Lou Fogelström, 2026

Close-up of nails and screws threaded onto a single wire strand, a window blurred in the background

The Nailing Room. Hedvig Lou Fogelström, 2026

Close-up of several wires strung with bent nails and screws against a bare concrete wall

The Nailing Room. Hedvig Lou Fogelström, 2026

Wide view of the installation filling the room, diagonal wires of nails crisscrossing the walls around a central doorway

The Nailing Room. Hedvig Lou Fogelström, 2026

A magenta-lit stained-glass window in a concrete room corner, seen through a web of hanging beaded chains

Chained Suspense. Hedvig Lou Fogelström, 2026

View through a doorway down a corridor toward the glowing magenta stained-glass window

Chained Suspense. Hedvig Lou Fogelström, 2026

Two magenta stained-glass windows side by side, beaded chains strung across the room in front of them

Chained Suspense. Hedvig Lou Fogelström, 2026

Close-up of the two magenta windows with a beaded chain hanging down between them, drops catching the light

Chained Suspense. Hedvig Lou Fogelström, 2026

Close-up of beaded chains crossing in the foreground, the magenta window blurred in the background

Chained Suspense. Hedvig Lou Fogelström, 2026

Blue-lit beaded chains strung across a concrete corner, drops catching the light against the bare wall

Chained Suspense. Hedvig Lou Fogelström, 2026

A totem-like stack of chairs and wood, a green painted chair on top, standing on a wooden cable spool against a rocky cliff face

Stack of wood/ Stable ved. Mette Tolar Lowe, 2026

The same stacked-chair sculpture seen from further back, with the power plant building visible alongside it

Stack of wood/ Stable ved. Mette Tolar Lowe, 2026

Close-up of the upper part of the sculpture, showing the green painted chair and carved wooden chair legs stacked together

Stack of wood/ Stable ved. Mette Tolar Lowe, 2026

Close-up of the middle of the sculpture, a carved wooden horse-head shape, a rusted metal wheel, and an old hooked tool

Stack of wood/ Stable ved. Mette Tolar Lowe, 2026

Night flash shot of the sculpture against the dark cliff face, the pale chair and wheel spokes standing out against the black background

Stack of wood/ Stable ved. Mette Tolar Lowe, 2026

A birch tree by a river with a length of pale marked fabric tied around the trunk and a curved wire frame, an early material test for the piece

With the wind. Hanna Isaksson, 2026

A fabric panel drawn with sketches of goats, hung outside a metal container beside the hillside, with an old photograph pinned nearby

With the wind. Hanna Isaksson, 2026

The finished installation: pale fabric flags hanging in the open doorway under the roof edge of the power plant building, two people looking on from outside

With the wind. Hanna Isaksson, 2026

Close-up of a drawn fabric panel billowing in the wind between trees by the river, marked with birch-bark-like line drawings

With the wind. Hanna Isaksson, 2026

The drawn fabric panel strung between metal poles by the riverbank, seen from below against a cloudy sky

With the wind. Hanna Isaksson, 2026

Black and white view looking straight up at the fabric flags hanging beneath the roof edge, a window visible behind them

With the wind. Hanna Isaksson, 2026

The same view looking straight up at the fabric flags against a blue sky, in color

With the wind. Hanna Isaksson, 2026

A wooden frame with two yellow cyanotype prints lying on pavement, one showing faint figures and text and the other a pressed plant, with five small stones painted yellow and each pressed with a single silver key scattered on the ground below

Leave No Trace. Elisabeth Freiberger, 2026

Four stones laid in a row on weathered wooden planks, each marked with a rust-orange key shape

Leave No Trace. Elisabeth Freiberger, 2026

Close-up of a stone marked with a rust-colored key shape, its granite surface glittering with mica

Leave No Trace. Elisabeth Freiberger, 2026

Three stones arranged in the corner of a red and gold picture frame, one marked with a small key shape and the other two with looser rust-red smudges

Leave No Trace. Elisabeth Freiberger, 2026

A riverbed seen through clear water, pale stones scattered among darker rocks with sunlight catching ripples on the surface

Leave No Trace. Elisabeth Freiberger, 2026

Contact

Ziggy Kruisselbrink

art@festafest.noart@festafest.no

Websitesfestakraftverk.nofestakraftverk.no festafest.nofestafest.no

Instagram@festakraftverk@festakraftverk

Location

Ålbusøyvegen 226, 7340 Oppdal, Norway

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